The Batsheva Ensemble, the youth wing of the main Batsheva dance company, received a standing ovation at Sadler’s Wells in London last night after an outstanding display of music and dance. Batsheva’s Deca Dance show, a collage of impressive pieces, consists of 16 dancers aged between 18 and 24 years-old. The 16 are mainly Israeli although there are two dancers from Spain and one from Russia, America and Japan, respectively.
As you enter the auditorium there’s a single dancer already on stage welcoming you in with some humorous improvisation.
Ten minutes in to the show shouts of “Free Free Palestine” were quickly drowned out by spontaneous audience applause. Security was dotted unobtrusively around the theatre to deter anything more prolonged. Two more similar attempts at disruption took place during the show but they were met with a similar audience response.
The second half was dominated by the female and male dancers seemingly dressed as Chabad Lubavitch Jews in dark hats, white shirts and dark trousers. They then interacted brilliantly with the audience, and the audience with them, before bringing the curtain down with the most powerful rendition of all thirteen verses of Echad Mi Yodea, the Passover table song, you will ever see and hear.
The 1500 seats were virtually sold out although you can walk in just before the show and pick up a ticket. The show continues tonight and tomorrow night at the same place before, finally, moving on to Plymouth on Friday and Saturday. Try to see it before it leaves these shores.
Typically, The Guardian newspaper, who are quite happy to promote racist cultural boycotts against Israel that also demean apartheid, linked their report Batsheva Dance Company braces for Gaza protests in London straight through to the Facebook page of Don’t Dance With Israeli Apartheid.
Sadly, for The Guardian and the boycotters the disruptions were muted and the audience loved Batsheva’s performance, as could be seen by the rousing ovation and the three curtain calls given to Batsheva last night. Here is part of that ovation: