Tag Archives: Peter Kosminsky

Jon Snow lunges for my phone while I question him about his “Jewish lobby” comment.

Ilan Pappe, Peter Kosminsky, Jon Snow, Karma Nabulsi, Rosemary Hollis at LSE.

Ilan Pappe, Peter Kosminsky, Jon Snow, Karma Nabulsi, Rosemary Hollis at LSE.

Last night Channel 4 news presenter Jon Snow was at the London School of Economics to chair a panel of hardcore anti-Israel polemicists but as I was questioning him face to face about his own use of the term “the Jewish lobby” (Clip 1 below) he violently grabbed my mobile phone attempting to dislodge it from my hand accusing me of trying to secretly record our conversation. He then repeatedly called me “a creep” and claimed a breach of his human rights.

He had been explaining to me that “the Jewish lobby” is a common term in America. I asked him if he would use the term “the Muslim lobby” to which he replied that he would.

This was how the event itself was described:

On this panel discussion, chaired by Jon Snow of Channel 4 News, the speakers will discuss aspects of the current situation in Palestine, including: Palestinian domestic politics, Israel’s position, the international dimension of the impasse and the insights into the conflict provided by film-making.

I went mainly to hear Peter Kosminsky, director of Channel 4’s drama series The Promise which portrayed Jews in British Mandate Palestine and contemporary Israel by using anti-Semitic stereotypes. For example, Israeli Jews were shown to be stunningly wealthy, and there were lines like these spoken by a British soldier:

“The Jews and Arabs have been living here in relative harmony for years. But our victory over the Germans has turned the trickle of Jews coming to this land into a flood. You must understand, the Jews see it as their holy land. But the Arabs, who have been here for over a thousand years, see them as stealing their land. Our job is to keep the two sides apart…..”

and

“After Bergen Belsen, I thought that the Jews deserved a state, but now I’m not so sure…. Their precious state has been born in violence and cruelty to its neighbours, and I’m not sure I want it to prosper….”

Last night Kosminsky said that after the series had aired:

“Nothing prepared me for the level of vitriol that was going to drop on me from the Zionist lobby…personal, vicious stuff came my way….If I choose to criticise my country, and I often do, nobody calls me ‘a racist’. They accept that it’s a legitimate thing in a free society to criticise the political and diplomatic behaviour, the domestic and foreign policies of a sovereign state. It just means that you disagree with its political behaviour. But if you’re Jewish, as I am, and you criticise the domestic and/or foreign policy of the sovereign state of Israel you are immediately called an anti-Semite. Very clever isn’t it.” (Clip 2)

No it’s not clever actually because Kosminsky doesn’t just “disagree with its political behaviour”. He disagrees with Israel’s existence and calls for Jews in Israel to be boycotted (presumably he doesn’t wish those of other religions in Israel to be boycotted). He said:

“the boycott creates so much anger in Israelis. They really hate the idea, particularly the academic boycott, which suggests to me it would probably be quite effective. So I think, yes, we should do it.” (Clip 3)

I hear the Nazis also boycotted Jews. In the 1930s it was considered anti-Semitic but apparently in 2013 it isn’t.

On America’s support for Israel and the similarity of the creation of both countries he said:

“this is why America finds it so hard to take a stand against the illegality and the disgusting behaviour of the state of Israel, because that’s how they (the Americans) came into existence, guys!” (clip 4)

There was also a lengthy discussion on how much Jews were hated by America and Britain, this being the main driver by these countries to create Israel in order to get Jews to go there instead.

Kosminsky put it like this:

“America was very keen to strong arm Britain into accepting a Jewish-controlled state in what had been Palestine because…they really didn’t want any more Jews in New York, please.” (clip 4 also)

As for Rosemary Hollis, former director of research at Chatham House, she claimed that at the same time Lord Balfour was drafting the Balfour Declaration he was also driving anti-Jewish immigration legislation through Parliament. (clip 5)

Hollis also claimed that it wasn’t the Jews that invented Jewish nationalism but “the Europeans”. She said “it was the Europeans who decided somehow that Judaism was something above and beyond a religion”. Incredible! Who was Theodore Herzl anyway and that book he published in 1896. Der Judenstaat, anyone?

Jon Snow didn’t hold back either but suggested that Britain might well have delayed bombing the railway lines to the concentration camps because of Britain’s hatred of Jews. (clip 6)

Snow had also started the evening claiming that there was “Palestine fatigue” in the media (clip 7). Palestine fatigue! Has he not picked up The Independent or The Guardian recently or watched his own beloved Channel 4 which aired The Promise and many other programes about the Palestinians including one being aired while we were at the event!

To round things off nicely Ilan Pappe implicitly compared Israel to Nazi Germany (clip 8). He said Israel is beginning to look like “your own worst enemy” in its obsession with having as many Jews in Israel as possible.

Meanwhile, Karma Nabulsi spent most of the evening calling for the so-called “right of return”, commonly known as a pretext to the demographic destruction of the Jewish state. Nothing new there then from ex-PLO Ms Nabulsi.

(Read Jonathan Hoffman’s account of the event here)

Clips from the event (customer warning: may contain anti-Semitism)

Clip 1:

(Snow mentions “the Jewish lobby” at 1 min 34 secs.)

Clip 2:

Clip 3:

Clip 4:

Clip 5:

Clip 6:

Clip 7:

Clip 8:

Channel 4 is not ‘Promising’ for British Jews.

The character of Len in The Promise (Guardian.co.uk)

The character of Len in The Promise (Guardian.co.uk)

Many British Jews woke up this morning feeling a little less welcome living in the UK. The overall feeling of watching the four episodes of The Promise is one of inciting racial hatred.

And it says a lot about the current UK environment that anti-Jewish propaganda is now so freely available on British tv and not just British university campuses.

Peter Kosminsky spent seven years writing The Promise but consulted avowedly anti-Israel groups like Breaking the Silence, Combatants for Peace and ISM and also British soldiers who had come under fire from Jewish military groups.

His facile conclusion is:

“The most striking thing I’m left with is a question: how did we get from there to here? Like most British soldiers we interviewed, arriving in Palestine from the war in Europe, Len Matthews felt only sympathy for the Jewish plight. Having seen the ovens of Bergen-Belsen, his heart tells him that Jews deserve a place of safety, almost at any price. In 1945, that view was shared by most of the world. In the era inhabited by Erin, his granddaughter, just 60 years later, Israel is isolated, loathed and feared in equal measure by its neighbours, finding little sympathy outside America for its uncompromising view of how to defend its borders and secure its future. How did Israel squander the compassion of the world within a lifetime?” (See a response to this here).

There was no attempt at balance or context. Jews and Israelis were portrayed as evil and the Arabs were portrayed as the good guys.

And these are the words that Len, the main British Mandate character in The Promise, writes in his diary as he departs British Mandate Palestine:

“We’ve left the Arabs in the shit. But what about the Jews and their bloody state for which they fought so hard? Three years ago I would have said give them whatever they want, they deserve it after all they have been through. Now I’m not so sure. This precious state of theirs has been born in violence and in cruelty to its neighbours. I’m not sure how it can thrive.”

Channel Four also recently showed War Child, a documentary on the aftermath of Operation Cast Lead in which “the Jews” were portrayed as going on a killing spree against Palestinian children.

And a few years ago it allowed mass murderer of his own people and Holocaust denier Mahmoud Ahmadinejad to broadcast a Chistmas speech. Then there is the anti-Israel Jon Snow who seems to split his career between reading Channel 4’s nightly news and chairing anti-Israel events.

Last night we finally found out what “the promise” of the title was all about. In 1948 Len, the British soldier, had promised, but failed, to return the key of the house owned by an Arab family he had befriended and who he ordered to flee to avoid being massacred by the oncoming Jews. 62 years later this promise was fulfilled by his grand-daughter, Erin. When she told him in his hospital bed back in the UK that she had finally returned the key he just lightly squeezed her hand before passing away without speaking.

To arrive at that point we witnessed some six hours of unmitigated demonisation of Jews; both those in British Mandate Palestine and those living in Israel today.

We watched as Erin gradually turned into a hardcore anti-Semite due to her experiences in Israel, the West Bank and Gaza. She was an epileptic who suffered three seizures during the series. But the only time she fitted was when she was with Jews, never with Arabs.

The first time was in an Israeli nightclub when she collapsed on to the floor shaking uncontrollably and instead of anyone coming to help the Israelis just laughed at her.

The second time was when she was being reprimanded by the wealthy Jewish family she was staying with in Israel for bringing an Arab back to the house.

The third time was when she was confronted by three aggressive Israeli soldiers while she was trying to comfort a sick Palestinian woman who had been removed from her house just before it was about to be blown up because her family helped to shield a suicide bomber.

Meanwhile, Jews during the British Mandate Palestine era were all portrayed as brutal cold-blooded murderers with Kosminsky concentrating solely on the Irgun.

British soldiers and Arabs were constantly seen being shot by Jews, while we only see one Jew killed. Len shot a Jew dead while defending his beloved adopted Arab family.

No one would be able to comprehend from this series that almost 6,000 Jews died fighting the Arabs between 1947 and 1949, equivalent to 1% of the Jewish population of British Mandate Palestine at the time.

Nor was there any context to the Irgun’s actions. British government policy had become so anti-Jewish that the Jews were fighting for their lives.

In 1939 the British had reversed their own 1917 promise to the Jews to create a Jewish homeland. Instead only 75,000 Jews were now to be allowed to immigrate in to British Mandate Palestine over the next five years, after which the immigration numbers would be up to the Arab majority to decide. By 1949 British Mandate Palestine would effectively become another Arab state.

The Irgun put off any fighting until this five year period had expired. When there was no change in this British policy they starting fighting, which consisted of attacking buildings, not people (It was the Stern Gang, a small group of extremist Jews, who had no compunction about attacking civilians, soldiers and diplomatic figures).

The Irgun attacked the King David Hotel, as shown in The Promise, but not before, according to Menachem Begin, phoning through ignored warnings to evacuate.

In The Promise we were also shown Jews massacring unarmed Arabs in the village of Deir Yassin.

Begin claims that a warning was given to the inhabitants of Deir Yassin, so throwing away the element of surprise. He claims heavy fighting ensued and the Irgun suffered casualties of four dead and forty wounded, not as portrayed in The Promise.

Benny Morris claims that Arab radio broadcasts inflated what took place at Deir Yassin, and it was this that helped instigate the flight of the Arabs from all around the country.

But in The Promise the Arabs flee as a direct response to this “massacre” and fear of what the Jews might do to them. Again, there is no mention that up to 400,000 Palestinians did not flee.

The Promise also failed to mention La Saison when the Haganah (the main Jewish military force in British Mandate Palestine) caught members of the Irgun and handed them over to the British.

Instead, we were treated to one scene where British soldiers were shot through their heads as they sat in a military jeep outside a restaurant while rich Jewish diners just carried on eating, drinking and laughing.

Of course Kosminsky tried to promote what he thought was the Jewish/Israeli narrative.

The Promise occasionally flashed back to real scenes from The Holocaust, but there was no explanation of the Jews’ historic connection to Israel. The implication was that the Jews had stolen a country belonging to another people.

Second, Kosminsky showed two suicide bombings. The first one was just after an Israeli left-wing character had explained how the Security Wall has Arabs on both sides of it; some inside Israel proper and some inside the West Bank. The implication of the suicide bomb taking place straight after this was that the Security Wall was ineffective to stop suicide bombings and was merely a political tool used to grab more Palestinian land.

And after the second suicide bombing Erin, quite incredibly, befriends the family of the suicide bomber and even tried to stop their home being blown up by the IDF. This despite Erin not knowing the extent of the knowledge that the Palestinian family had about the intentions of their terrorist daughter.

Kosminsky also had Jewish children in the West Bank attacking Arab families with rocks while the IDF looked on and the IDF using a child as a human shield. We also saw a bulldozer almost run down Erin, recalling the death of Rachel Corrie in the same way. This is all straight out of an ISM handbook.

The Promise had everything for the Jew hater and Israel hater, but what you won’t see is a series about the Arab uprising in British Mandate Palestine between 1936-1939, which was brutally put down by the British and in which some 5,000 Arabs, 300 Jews and 260 Britons were killed and during which the Peel Commission offered the Arabs 80% of British Mandate Palestine, which the greedy Arab leadership duly rejected.

It was this that sowed the seeds for what followed and for the Arab defeat in 1948, but, as ever, why let facts get in the way of demonising Jews and Israel.

The BBC’s Valentine’s Day Demolition of Jews, Israel and Zionism.

"Jew lover and Zionist", Geert Wilders: Europe's Most Dangerous Man?

"Jew lover and Zionist", Geert Wilders: Europe's Most Dangerous Man?

While you were making yourself look beautiful for your Valentine on monday evening the BBC was showing Geert Wilders: Europe’s Most Dangerous Man?.

Someone sent me an email stating that he had “just seen the most disgraceful attempt to associate Jews with extremism and hatred against Islam. This programme is an utter disgrace, as ever trying to delegitimise us. Frankly, I fear that we have no future in Europe”.

He is not usually one for polemic like this, so I had a watch on iplayer.

We see Joost van der Valk following Wilders trying, and failing, to get interviews with him.

van der Valk interviewed Dutch Muslims, who blame Wilders for stirring up race hate in Holland. One woman, a Turkish teacher, says of Holland today:

“I’m thinking of the 1940s when the Jews had to wear a star of David and had to ask at a shop if I can come in or can I enter the swimming pool. It’s almost the same as back then. The country is in a bad state and (they say) Islam is the culprit.”

The film forcefully sets out the case against Wilders. The prosecution in Wilders’ trial for inciting racial hatred, which has been adjourned, provides some of his alleged words:

“There is no such thing as moderate Islam, because there is no difference between good Islam and bad Islam. There’s Islam and that’s all there is. The Quran is the Mein Kampf of a religion that intends to eliminate us”.

van der Valk then went off in search of Wilders’ admirers.

He interviewed people who want Holland go back to its roots. One woman says “I want my children to feel they live in Holland”. A man says “There’s going to be a world war between Muslims and non-Muslims. We will have a Bosnia effect here within five years.”

Then he interviewed two Kahanist Jews. One was ‘Robert’, the other was Chaim Ben Pesach, who apparently served five years in prison for an anti-Soviet bombing campaign in New York. They were described as being “more radical than Wilders” and as espousing an extreme form of Zionism.

They belong to the Jewish Task Force and ‘Robert’ said:

“Islam is a global threat. They say we will take over Europe with the wombs of our women, so they are breeding Jihadis everwhere. They have more and more kids. Then they get more women to come here from the Moroccan mountains to bear children. They want to be in the majority so they can take over.”

Not content van der Valk did a google search of “Wilders Israel” and found half a million references. Some references suggest Wilders is a spy. van der Valk concluded, “It was obvious that Wilders was being informed by the Israeli Embassy”.

At the beginning of the film we were introduced to Shaykh Khalid Yassin, who is described as an “American Muslim teacher extremely popular among young European Muslims. He has embarked on a mission to deradicalise them”.

But when questioned about Wilders Yassin said:

“I think he has taken and embraced the idea of Modern Zionism. And he is using the idea of Modern Zionism to espouse the same concepts about Muslims in the world and the Quran that the Jews cannot afford to say in Israel. But Mr Wilders can do them a favour. He can go outside of Israel with those same feelings and then he can characterise the way that the Zionists characterise the Palestinians, to legititimise (sic) their power. Mr Wilders can characterise Islam in the same way.”

Although the film stated that “many Israelis would take issue with Wilders’ ideas”, van der Valk, nevertheless, went to Israel to see where Wilders spent his youth. We heard from Wilders’ old Israeli friends and admirers.

We were told that Wilders had a Jewish grandmother and married a Jewish woman and he “makes no secret of his affection for Israel and its people”.

The whole thesis of the film seemed to be that Zionism, Israel and Jews are the inspiration for Wilders’ alleged incitement to race hate.

Two weeks ago the BBC showed Louis Theroux’s The Ultra Zionists, which portrayed Jews as religious fanatics.

The Promise, by Peter Kosminsky, currently showing on Channel 4, can be best summed up as ‘rich European Jews came to Palestine after the Holocaust, stole the Palestinians’ land and murdered British soldiers’.

For his research Kosminsky consulted the International Solidarity Movement about Israel, which is like basing your views on immigration on interviews with the BNP.

Last night’s film War Child, also on Channel 4, was, basically, about ‘Jews’ killing innocent Palestinians and blinding and disabling Palestinian children who cannot, now, wait to grow up to kill ‘Jews’.

And now the BBC have shown a documentary which started out as a valid investigation into Islamophobia in Holland but, which, degenerated into a gratuitous attack on Jews, Israel and Zionism.